Katherine Mansfield: Orange Soufflé with Sherry Syrup

Katherine Mansfield: Orange Soufflé with Sherry Syrup

Note: I’ve never had a guest post on P&S belore, but when Aimee Gasston told me about the unpublished recipes she found in Katherine Mansfield’s papers, I couldn’t wait to have her share one here. Plus, I’ll clearly take any opportunity to trot out my ramekins (I’m a sucker for individual-size desserts). Enjoy, and many thanks to Aimee. 

Another Note: If you’re reading this via Google Reader, there are alternatives to get P&S updates after Reader shuts down tomorrow. Plus, you can always find what’s up on Facebook. Okay, back to regularly scheduled programming. 

It’s lucky that Katherine Mansfield, maybe the key innovator of modernist short fiction, had such a hearty appetite, without which her prose would be far less rich. Virginia Woolf described Mansfield as having the finest senses of her generation – so when I heard about newly discovered food-related material of hers acquired by the Alexander Turnbull Library in Wellington, New Zealand, I couldn’t wait to get a look at it.

Plump as a child, Mansfield would be made gaunt by tuberculosis in adulthood, but her hunger for worldly pleasures remained constant throughout her truncated life. Her personal writing is full of daydreams involving food, which she vividly described in letters and journals as she traveled Europe in search of health.

Switzerland was a particular disappointment, as she wrote in a letter to the artist Anne Estelle Rice in 1921: “Curse them. And the FOOD. It’s got no nerves. You know what I mean? It seems to lie down and wait for you; the very steaks are meek.  […]  As to the purée de pommes de terre, you feel inclined to call it ‘uncle.'”

Despite her love of eating, cooking wasn’t the most pressing of Mansfield’s priorities due to her poor health and a fierce dedication to her work. In her excellent biography A Secret Life, Claire Tomalin describes Mansfield and her husband John Middleton Murry’s juvenile culinary tendencies: “Like children, they lived mostly on the junk food of the day, meat pies and the cheapest possible restaurants; Katherine had no time or wish to cook.”

Instead, Mansfield’s cooking would take place largely on the page. Besides the spirited culinary rhymes that she penned amid her account books (including an unpublished poem called “An Escapade Undertaken by a Green Raspberry and a Kidney Bean”), her short fiction was always embroiled with the messy materiality of life, with prose you cannot only see, hear, touch and smell, but really taste.

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Mansfield Orange Souffle Recipe

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Marquis de Sade: Molten Chocolate Espresso Cake with Pomegranate

Marquis de Sade - Molten Chocolate Espresso Cake

I have always been semi-mortified about special requests in restaurants. Meg Ryan’s orders in When Harry Met Sally still fill me with third-party embarrassment. When I was in high school, my friends and I decided, instead of going to junior prom, we’d spend our ticket money on a fancy dinner in San Francisco instead. I anticipated it for weeks, poring over the menu in advance like it was some kind of ancient codex. After much deliberation, I picked the black pepper-crusted tuna steak—which, of course, arrived raw. 

What to do? Amazingly (this being California in the 90s), I hadn’t yet eaten raw fish and wasn’t planning to start then. But, determined to be accommodating  I picked at the seared edges of the tuna until a friend noticed, rolled her eyes, and asked our waiter to re-fire it. I watched him parade the plate back to the kitchen, as if announcing to the room, “That girl in the corner table is so uncultured, she didn’t know tuna is served rare, and we are all paying the price.” 

My tolerance for special requests has improved since then (It helps that I’m no longer in high school, when even the wrong nail polish was the apex of embarrassment). And whatever I order, I know it will never compare to the culinary demands of the Marquis de Sade, who showed as much disregard for dining conventions as he did for sexual ones—that is, pretty much none whatsoever.

For one thing, if I were in prison, I assume that I wouldn’t have a lot of input about the food; you get what you get. Not so the Marquis. In one of his many jail stints, he counseled the chef of the Bastille about the daily menu: it had to include a custard (vanilla or coffee flavored only), baked apples, and “an excellent soup (I will not repeat this adjective; soups must always be excellent.” Try this today, and I bet you’d get a big fat of soup in your face. It would not be the excellent kind, either.

I also admit that I’ve never once ordered cookies shaped to specific dimensions. The Marquis was all over this one. His requests to the Bastille are charming compared to the letters he wrote his wife, Renee, from prison, which listed his extensive food needs, including biscuits “six inches long by four inches wide and two inches high.” He was not only particular about his sweets; his appetite for them was insatiable. Another letter to Renee asked for “four dozen meringues; two dozen sponge cakes (large); four dozen chocolate pastille candies, vanillaed, and not that infamous rubbish you sent me in the way of sweets last time.”

And woe unto the person who forgets the chocolate. “The next time you send me a package … try to have some trustworthy person there to see for themselves that some chocolate is put inside,” he snarked. He may have been a libertine in the bedroom, but in the dining room with the Marquis, you don’t fool around.

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Molten chocolate espresso cake with pomegranate recipe

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D.H. Lawrence: Polenta with Sausage Ragù

D.H. Lawrence - Polenta with Sausage Ragu

One hundred years ago, D.H. Lawrence was awaiting the publication of what would become his most famous (and most controversial) novel. Sons and Lovers celebrates its centennial this May—but in the weeks leading up to its release, Lawrence’s thoughts were elsewhere, in a little house across the Alps: “I want to go back to Italy,” he wrote.

Lawrence made his first trip to Italy while working on Sons and Lovers, and he felt an immediate connection. “I think I shall be happy there, and do some good work,” he said in 1912, just before settling near Lago di Garda, a few miles from Verona. Several months later, his writing was already moving along. “I do my novel well, I’m sure. It’s half done.”

But when taking a break from his desk, Lawrence was at work in the kitchen, which he praised in letters home. “There’s a great open fireplace, then two little things called fornelli – charcoal braziers – and we’ve got lots of lovely copper pans, so bright. Then I light the fornello and we cook. It’s an unending joy.” He found beauty in the smallest act of cooking—he loved his pots so much, he made sketches of them. Everything is just red earthenware, roughly glazed, and one can cook in them beautifully.”

For Lawrence, Italian cuisine meant a chance to experiment with ingredients of all kinds, from the quotidian to the obscure. “We eat spaghetti and risotto and so on all of our own making,” he wrote. “We eat quantities of soup … midday polenta made of maize flour boiled to a stiff porridge that one cuts in slices with a string … queer vegetables – cardi – like thistle stalks, very good – and heaps of fresh sardines.” He frowned upon the tendency of the locals to use too much oil, but had certain indulgences of his own: “Maggi and I grate pounds of cheese,” he admitted. 

If we’re lucky, we discover for ourselves what Lawrence found in Italy: that place that inspires all our creative pursuits, whether it’s at the desk or at the stove. The freedom and adventure he felt there, through, dissipated when he left Italy to go north. “I have suffered from the tightness, the domesticity of Germany. It is our domesticity which leads to our conformity, which chokes us.” Little did he know how non-conformist his new novel would be seen—a little reminder of Italy that lingered there. 

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Polenta with sausage and mushroom ragu recipe

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Jane Austen: Brown Butter Bread Pudding Tarts

Jane Austen - Devizes Cheesecake

Even when you love to cook, there are those times when it would be nice to have just a little help: when you promised to make something for the office potluck but forgot to go shopping; when that dinner party you’re hosting sneaks up on you; when your in-laws you dearly want to impress are in town and all you have in the pantry are the three jars of peanut butter you bought before Hurricane Sandy.

Wouldn’t it be easier to live in Jane Austen’s world, where you could hand off such tasks to a very capable cook? Remember poor Mr. Collins in Pride and Prejudice, who, when asking which of the Bennets had prepared the meal, “was set right by Mrs. Bennet, who assured him with some asperity… that her daughters had nothing to do in the kitchen.”

Like Elizabeth Bennet, Austen wouldn’t be caught dead with a roasting pan—but she did know her way around one. After all, she wrote her novels in the middle of the drawing room, constantly interrupted by household demands. “I carry about the keys of the wine and closet, and twice since I began this letter have had orders to give in the kitchen,” Austen wrote to her sister, Cassandra. Maybe that’s why her novels are full of meals: she couldn’t write a few sentences without being asked to approve a dinner menu.

Austen was in charge of sourcing ingredients, preferring to grow fresh produce on the property. “What kind of kitchen garden is there?” she writes anxiously when her family is contemplating a move to Chawton. “I do not fail to spend some part of every day in the kitchen garden.” She also oversaw what was to be planted, and where. “The Border under the Terrace Wall is clearing away to receive Currants & Gooseberry bushes, & a spot is found very proper for Raspberries,” she reports.

Then there was the entertaining: a long parade of tea parties and dinner chats, so elegant in books but exhausting in the offing. After one particularly tiring evening, Austen wrote to her sister, “When you receive this, our guests will be all gone or going; and I shall be left … to ease the mind of the torments of rice pudding and apple dumplings, and probably regret that I did not take more pains to please them all.” Of course, she could always blame the cook if things didn’t work out. But that’s the upside to doing all the cooking yourself: When it’s good, you get to take all the credit.

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Jane Austen - Devizes Cheesecake Recipe

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Franz Kafka: Potato Mushroom Soup

Franz Kafka - Potato Mushroom Soup

Another year, another fad diet. Every January, we’re told to go Paleo, go South Beach, go Atkins. It’s a culinary labyrinth that has existed for centuries—and Franz Kafka was an early captive.

Kafka famously followed a strict vegetarian regime; in an anecdote from friend and biographer Max Brod, Kafka proudly discussed his diet choices with a fish in the Berlin aquarium, saying, “Now at least I can look at you in peace. I don’t eat you anymore.” But if you think Kafka eschewed meat for moral reasons, think again. It was all a fad.

“Franz’s attitude toward the ‘natural health methods’ … was one of intense interest,” wrote Brod, and vegetarianism was only one of the trends that held Kafka in thrall. He was also a convert to “fletcherizing,” a British craze from the turn of the 20th century that advocated chewing each bite of food 32 times before swallowing. I saw the same thing on an episode of Sex and the City 100 years later, proving that some diets really never die.

Plus, meat is just so embarrassing when it gets stuck in your teeth, am I right? “Meat is the one thing that is so stringy that it can be removed only with great difficulty,” Kafka wrote disgustedly, “and even then not at once and not completely.” It’s a comment that could just as well have come from the title character in “A Hunger Artist,” who fasts because he can’t find food that he likes.

But Kafka relished his meals, particularly strawberries and cherries (which he would take several minutes just to smell before eating). “How he took such pleasure in eating a banana!” sighed his lover Dora Diamant. Brod agreed: “Although he was a teetotaler and a vegetarian, he knew how to appreciate the pleasures of beer, wine and meat.” Kafka would “take a sniff of drinks sometimes and praise their wonderful aroma.”

Kafka and Diamant dreamed of traveling to Israel together and opening a restaurant: she in the kitchen, he in the front. They never specified in their letters what type of restaurant it might be. But I wouldn’t go there for the steak.

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Potato Mushroom Soup (Bramboracka) Recipe

 

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Virginia Woolf: Cottage Loaf

Virginia Woolf - Cottage Loaf

Every time I get discouraged by writing, I engage in a bit of schadenfreude, and soothe myself with the frustrations of others. “I write two pages of arrant nonsense after straining … Then I trust to some inspiration on re-reading.” That’s Virginia Woolf while writing The Wavesbut I’m pretty sure I said the same thing, more or less, while writing this post.

This constant self-effacement is a theme that runs through Woolf’s letters. Her talents didn’t really lie in the library, she would tell you. They were in the kitchen. “I have only one passion in life — cooking,” Woolf wrote to her friend (and occasional lover) Vita Sackville-West. “I have just bought a superb oil stove. I can cook anything … I assure you it is better than writing these more than idiotic books.”

Where Woolf hesitated to praise her own writing, she wasn’t nearly so shy about her talent for baking. “Cooked lunch today and made a loaf of really expert bread,” she wrote. Bread was her specialty, particularly a traditionally British double-decker creation: the snowmanesque cottage loaf. Her dedication to the kitchen was unusual for a woman of the upper-middle class. She did, however, draw the line at doing the dishes (“How servants preserve either sanity or sobriety if that is 9/10ths of their lives … God knows”).

In Recollections of Virginia Woolf, Louie Mayer, the Woolfs’ cook, marvels at Virginia’s calm expertise. “She showed me how to make the dough with the right quantities of yeast and flour, and then how to knead it. She returned three or four times during the morning to knead it again. Finally, she made the dough into the shape of a cottage loaf and baked it at just the right temperature.”

It’s Woolf’s birthday today; she would have been 131, although she didn’t make it even half that far, her mental illness wearing her away. But from Woolf’s letters, the time she spends cooking seems to be its own rest cure, clearing her head of everything else but the dough. “My bread bakes well,” she writes in her diary, and it resounds like a soothing mantra. If all else fails, I tell myself, my bread bakes well. My bread bakes well.

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Virginia Woolf - Cottage Loaf Recipe

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Beatrix Potter: Gingerbread Cookies

Among all children’s authors I loved growing up, Beatrix Potter always seemed the most wholesome by far. My favorite books were the eyebrow raisers: the delicious nastiness of Roald Dahl, the nightmarish worlds of Maurice Sendak. Even The Velveteen Rabbit gets borderline traumatizing. When the only person you truly love gets scarlet fever, and all your friends are burned, you can finally become “real” if you cry? That’s more drama than a episode of Dawson’s Creek.

I remembered Peter Rabbit and Jeremy Fisher as cuddly and innocent in comparison, but on a recent visit to the Morgan Library, I realized I had it all wrong: Potter had a not-so-secret dark side. Not a book goes by without some cute animal about to be skinned, drowned in a sack, or baked in a pie. Potter began her original draft of The Tale of Mr. Tod, “I am quite tired of making goody goody books about nice people.” Her editor nixed it; turns out, readers wanted those goody goody books.

Still, a few less-than-goody bits made it into print. One of my favorite Potter characters is Cecily Parsley, an adorable rabbit who moonlights as a beer brewer. Potter’s illustrations show Cecily soaking some barley in front of comically large barrels marked “XX.” It’s impossible to imagine other favorite children’s characters doing the same: Anne of Green Gables opening up a distillery, or the Goodnight Moon mouse tippling on some homemade hooch.

Did Potter take a cue from Cecily and start her own homebrews? Probably not. She did cook; at her beloved Hill Top Farm, in England’s Lakes District, she planted an herb and vegetable garden that Peter Rabbit would have loved to pillage. Much of her produce came from those gardens, but not all her recipes were virtuous. When Potter’s family recipe book went up for auction this fall, hiding in her gingerbread was a good dose of ale—a little bit of naughty in the midst of all that sugar, spice, and everything nice.

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Allen Ginsberg: Aloo Gobi

When I was a kid, I hated lamb. Well, let me clarify: My mother hated lamb, so I hated lamb. I had never actually tasted it, since it was barred from our home, but that was entirely irrelevant to my 10-year-old self. My mom seemed to be right about everything else, so why would she be wrong about lamb?

It wasn’t until I moved away—with an apartment of my own and a boyfriend who tore into lamb like a rabid chupacabra—that I actually took a bite. It was at an Indian restaurant, another territory where my family had always been cautious. We’d consider the menu at length: lots of thoughtful nodding with a smattering of “hmm”s. Then we’d order the same chicken tikka masala and garlic naan we always did.

Allen Ginsberg had our number. Traveling around India in the 1960s, practicing Buddhism and Krishnaism, Ginsberg was eager to bring his new lifestyle to the States. He had just one concern, he told Hare Krishna founder A.C. Bhaktivedanta Swami Prabhupada. Could Americans handle the food?

Allen Ginsberg: So my question is this: … Is this something that a large mass of people can enter into?
Srila Prabhupada: In time, yes. Why not? …
Allen Ginsberg: Yes, but what it requires is an adaptation to Indian dress and
Srila Prabhupada: That is not very important.
Allen Ginsberg: And an adaptation to Indian food. …
Srila Prabhupada: Then that is Indian food? Do you mean to say it is Indian food?
Allen Ginsberg: Well, the curried vegetable dishes.

Although Ginsberg seems skeptical that potential converts could handle the Hare Krishna diet, he was a culinary adventurer himself. In his letters, Ginsberg lists dozens of local delicacies he sampled over the course of his wanderings, like a beat-poet Anthony Bourdain. In Hong Kong, he recommends the 100-year eggs; in Korea, try the snail and cuttlefish dish; in Denver, check out the all-organic Mercury Cafe (where you could catch him singing the occasional set with his rock band).

But even Ginsberg had his own culinary prejudices to overcome. In a letter to the poet Gary Snyder, he expressed surprise at how well he ate in India. “Food quite good … Bombay has great food all over. I’ve even drunk water practically all over and not been bugged. And everybody tells me it was instant death.”

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Agatha Christie: Fig and Orange Scones with Devonshire Cream

Certain foods defy any attempt at portion control. Think chocolate chips, or those disturbingly addictive pretzel pieces that must be flavored with some kind of stimulant in addition to the honey mustard. I have such a Cheez-It obsession that, studying abroad in Paris and unable to find them in any grocery, I ordered three boxes online in a hunger-fueled panic. My host mother – who, in typical French fashion, served perfectly portioned meals on an adorable tea tray – brought the package to my room with a look of pure horror. I guiltily ate a whole box as soon as her back was turned.

But Agatha Christie clearly felt no such shame when it came to her food addiction: She loved cream, and all of Devon county knew it. “Agatha was very fond of food – she was passionate about cream,” the local vicar’s daughter remembered. “She would have it by the cupful. She would have a cup of cream by her typewriter.” Even Christie’s fictional characters couldn’t escape the obsession. Miss Marple is similarly famed for her love of cream, and even the picky Hercule Poirot partakes.

Christie made minor attempts to curb her appetite, to no avail. “She used to drink cream from a huge cup with ‘Don’t be greedy’ written on the side, an injunction she never showed any sign of obeying,” her grandson Mathew recalled. Frankly, I think that anyone who has a designated cream-sipping cup is fighting a losing battle with willpower, but I’m the one with a personal bag of chocolate chips in the pantry, so who am I to judge?

There was only one person who had control over Christie’s dessert intake: her butler. George Gowler oversaw the elaborate two-hour dinner parties at Greenway, Christie’s country estate. But instead of letting her choose the menu for the final course, Gowler would randomly assign everyone a different plate of fruit – a game of dessert roulette – allowing guests to choose their favorite dish only once a week. Christie’s favorite was fresh figs, which you can still sample from the trees she grew at Greenway. But beware if you encounter them in one of her mysteries: One unlucky lady who indulges in Syrup of Figs gets poisoned for her trouble. Safer to stick with the cream instead.

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John Cheever: Turkey Monte Cristo Sandwich

Whenever I need to make idle chatter, talking about meals is generally a safe, friendly topic – unless that meal is brunch. I’m going to go out on a limb here and say that lunch and dinner are pretty universally well liked. And while the merits of breakfast have certainly been debated (despite being repeatedly chastised for not eating it, I somehow am still alive), brunch just gets people unusually riled up.  For the anti-brunch lobbyist, the idea of forking over $20 for a couple of eggs leaves a bad taste in the mouth that no bottomless-mimosa deal can wash away.

But even the most dedicated day drinkers can’t hold a candle to John Cheever, whose brunches consisted of “a secret slug of whiskey at eleven … two martinis at noon.” In his journals, Cheever’s infamous struggle with alcoholism plays out in the endless litany of gin and tonics, martinis, and nightcaps that make up his daily menu, starting well before noon. Food is an afterthought, usually appearing sandwich form. “I work until one, when I eat my sandwiches and take a rest,” Cheever wrote of his daily routine, a schedule that looks very virtuous when the drinks are edited out.

It wasn’t until Cheever moved to Los Angeles in 1960, to adapt D.H. Lawrence’s The Lost Girl for the screen, that he began taking an interest in food – both as a way to stave off depression, and because it was all conveniently paid for by the studio. “I’d reach for the phone and order the most elaborate breakfast I could think of,” he told The Paris Review, “and then I’d try to make it to the shower before I hanged myself.”

For Cheever, a native New Englander, Hollywood didn’t have much going for it, except where sandwiches were concerned. He recounts in his letters the discovery of a new sandwich, like a rare and exotic bird: “For lunch Carl had something called a Monte Christo sandwich. This is made of three slices of French toast, turkery [sic] meat between the toast, the top sprinkled with powdered sugar and the whole cut into three sections, each looking like a Napoleon. This is eaten with a knife and fork. And this is my only life in Hollywood note for today.” For a sandwich aficionado at the time, this was a moment of revelation. It is also, I hesitate to add, an ideal morning meal after a long night of drink.

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