My apartment contains a painful secret. It sits on the shelf right above the stove. At first glance, you’d probably never notice—if you did, you might even make an admiring comment, not knowing the personal shame it carries. These are the cookbooks I’ve collected over the course of 10 years, from the one I got after college (Slow Cooker Revolution) to the one I got last week (Green Kitchen Stories). And even though they seem beautiful, with their full-bleed photos and heavy matte pages, my mortification builds as the stack grows. Because I almost never cook from them.
Every time I buy a new cookbook (and I do, of course, despite everything), I ask myself why this shelf remains largely untouched. I love entertaining, so why am I not a person who hosts Ottolenghi-inspired dinner parties? I eat dozens of macarons, so why have I never made a recipe from the book dedicated exclusively to crafting their tiny, perfect forms?
When I first started acquiring cookbooks, their order and authoritative tone were comforting; finally, someone to tell me how to make a sauce! But, taken in regular doses over months, then years, those rules become constricting. Just look at Margaret Atwood’s fiction. In The Handmaid’s Tale, cooking is a job for the Martha’s, synonymous with subjugation. In Atwood’s short story The Art of Cooking and Serving, cookbooks are called out specifically as a source of this control. A cookbook author imparts “strict ideas on the proper conduct of life. She had rules, she imposed order. Hot foods must be served hot, cold foods cold. … It just has to be done.”
So imagine my surprise when I learned that Atwood herself had once assumed that same role. When I found a secondhand copy of The CanLit Foodbook and saw her name on the cover, I bought it immediately. (Another one for the shelf.) I had to know: How would someone who based a career on breaking rules fare as culinary dictator?
The answer was immediately revealed in Atwood’s introduction to the book. “I’m one of those people who read cookbooks the way other people read travel writing,” she writes. “I may not ever make the recipe, but it’s fun to read about it, and speculate on what kind of people would.” She goes on to present her “recipe” collection: submissions from Canadian authors that range from poetry to meditations to more the more traditional instructions we’d expect from a cookbook … loosely defined. (Michael Ondaatje’s recipe is for grapefruit. It has one ingredient.)
As I paged through the book, I realized how Atwood approached cookbooks: like a novel, not a manual. Without any sense of obligation or expectation, cookbooks were an exercise in imagination, in becoming. Revisiting my cookbooks shelf with this perspective, I realized the opportunity to encounter not who I should be but who I could be: the one who hosts the dinner party, the one who eats her homemade macarons in bed. In learning to read a cookbook like a novel, the Atwood way, I discovered worlds where I’m free to be not-myself. And isn’t that why we read in the first place?
In fiction, what a character eats is often a key to who they truly are. The CanLit Foodbook, Atwood claims, is no different. Its contents, she says, reveal key insights about its subject: Canadians. Specifically, they love sweets.
“This is the province of the doughnut, the cake, the pudding, and the pie, and even the poets can’t make any of this sound too disgusting,” Atwood writes. The vast majority of the recipes are for sweet breakfast breads, sweet tea cakes, sweet desserts. On the other hand, some courses are conspicuously absent. (“For some reason, nobody seems to write much about lunch,” Atwood writes. “I don’t know the reason for this.”)
Atwood is no exception. Both of her recipe submissions are for those with sweet tooth: one for a bourbon chocolate cake and one, passed down from her mother, for muffins. Unlike me, Atwood seems to be a party-giver, noting that the muffins recipe is “a standby for hordes of people.” The recipe doesn’t specify how many people, exactly (it casually suggests “3 or 4 dozen”). My rule-abiding brain took over and adapted it for an even dozen, with slightly less sugar (with apologies to the Canadians out there, that was just ridiculous).
Feed-Everyone Wheat Germ Muffins
(Adapted from The CanLit Foodbook)
2/3 cup granulated sugar
2/3 cup light brown sugar, packed
2/3 cup canola oil
2 cups buttermilk
2 cups flour
2 teaspoons baking soda
2 teaspoons baking powder
2 cups wheat germ
1/2 tsp salt
1 tsp vanilla extract
3/4 cup chocolate chips
- Preheat oven to 375 degrees F.
- In a medium bowl, mix eggs, the sugars, canola oil, buttermilk and vanilla. In a large bowl, mix together flour, baking soda, baking powder, wheat germ and salt. Pour wet ingredients into the dry ingredients and stir until just combined. Fold in chocolate chips
- Grease or line a 12-cup muffin tin. Bake 20 minutes, or until golden and a tester inserted into the center has a few moist crumbs.
19 thoughts on “Margaret Atwood: Chocolate Chip Wheat Germ Muffins”
Great post. I am sharing it with a friend who is a rabid Atwood fan. I too have a lot (ridiculous understatement) of cookbooks, and yet I cook mostly from instinct.
Agreed! The cookbook I use the most is the one my mother made for me – and at this point, I know almost all those recipes by heart, so it’s just for comfort/nostalgia.
I too have a shelf full of cookbooks and only consistently use the same three or four.
I’m going to bake those Atwood muffins today … Thank you very much!
Thank you – I hope you enjoy them!
Freed from guilt at last by Margaret Atwood. Thank you
She is a master in so many things!
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I love the idea of reading a cookbook like a novel. Mine mainly sit on the shelf, too!
Like your posts and combination of food/literature very much! Dreaming Ottolenghi-inspired Italian style dinner parties in my home while looking my nearly unused cookbooks are my favourite ceremony 🙂 Wish you a great day and send a big smile from Istanbul 😉
Thank you so much! Someday maybe we’ll make the Ottolenghi party happen, but the dreams are fun in and of themselves.
See Margaret Atwood is brilliant. I need to find this book basically because I need to make Michael Ondaatje’s recipe for grapefruit. I take out sugar, too. I am not offended.
You’re probably making it already! 🙂
Brilliant essays combining food and books. Two of life’s biggest pleasures!
Up until recently I had close to 400 cookbooks that I’d always considered “400 novels”. The number is now whittled down to about a third of that (ah, married life) but I still enjoy thumbing through old favorites as I would any other favorite tome.
Unlike your shame though, I actually make the leap from their page to stove on occasion. This may sound odd, but I’ve found that getting my hands in there and recreating the recipes enhances the narrative feel of a cookbook. Particularly if the cookbook is more than just a bare collection of recipes with no commentary at all. I’m thinking works like “When French Women Cook: A Gastronomic Memoir” by Madeleine Kamman, or “The Physiology of Taste” by Brillat-Savarin.
Vive la différence 🙂
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Hi: I realize not being updated anymore sadly because I liked your posts/the whole idea of your blog, but to note, I made these muffins this past week, substituted fine/ground flax seed for the wheat germ, did mini-dark chocolate chips. They came out really good, going to try again, next time perhaps with raisins/instead of chocolate, per my mum’s request.
Reblogged this on Shalden & Neatham sister site to the Reluctant Janeite and commented:
Just made these muffins for a 2nd/time & success! This blog is worth a look…even though it is no longer active/updated.
I’m so glad I stumbled across this post! I will definitely be making these muffins next week. You mention that you altered the sugar content from the original recipe; hopefully you don’t mind me asking–what did the original call for? 🙂