Ray Bradbury: Pappa al Pomodoro

Ray Bradbury: Pappa al Pomodoro

In 1946, two 20-somethings met in a bookstore: he, an aspiring writer; she, the bookseller who sold him a copy of Best American Short Stories. “He carried a briefcase and wore a trenchcoat on a clear day, so I was immediately suspicious,” she recalled. Instead of stealing paperbacks, he invited her to lunch. But when Ray Bradbury married Maggie McClure a year later, he had only $8 in the bank. Suddenly, stealing books didn’t seem so implausible—and any future lunches would have to be done on the cheap.

Luckily, Bradbury’s tastes had always tended toward the economical. As a kid, he followed a strict (if not exactly spartan) diet of hamburgers, egg sandwiches and tomato soup. Eventually he expanded his dietary repertoire (“How many years I wasted not trying different foods, when they were so good,” he later told his family). But his love of tomato soup endured … not least because it fit his meager budget.

In their $30-a-month apartment in Venice, California, Bradbury cooked for Maggie in classic newlywed style—cracking open a can. “I did my writing at home, cleaned the house, and usually prepared dinner for us. It was usually Campbell’s soup,” he wrote. On special occasions, he would head to Clifton’s Cafeteria, a local haunt that attracted the starving-artist crowd by insisting that no one would be turned away hungry. Bradbury quickly became a fixture at the restaurant, holding regular meetings of the Science Fiction Society or just arriving alone, slurping his soup in the corner booth while drinking bottomless glasses of complimentary limeade.

Yet, even as Bradbury’s fame and bank account grew, he remained loyal to his favorite dish, ordering cans of soup by the case. “At one time, I had planned to have my ashes put into a Campbell’s tomato soup can and then have it planted on Mars,” he told Playboy in 1996, half a century after that first fateful date with Maggie. Through years of Campbell’s and cafeterias, she was the only woman he ever dated. In love, and in lunch, Bradbury’s taste never changed.

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Susan Sontag: Pizza Margherita

Susan Sontag: Pizza Margherita

There’s something about summer that brings out our inner procrastinator: Temperature goes up; productivity goes down. Everyone bemoans the challenge of cooking in the heat, which is why with every July comes a parade of shortcut recipes for no-bake desserts, miscellaneous salad variations, and anything you can conceivably “toss on a grill.” But my general lethargy is not limited to the kitchen. Writing, reading, remaining conscious—it’s all just too hard to find the energy.

To urge myself into usefulness, I’ve been taking a tip from Susan Sontag: making lists. Sontag was a prodigious list-maker—though not necessarily with productivity in mind. Many of her lists are less things to do, and more how to be. They range from the mundane to the profound to the overwhelmingly meta; a list titled “things I like” includes “architectural drawings, urinating, pizza (the Roman bread), staying in hotels, paper clips, the color blue, leather belts” and, lastly, “making lists.”

In all these lists, patterns start to emerge: the comings and goings, friends and lovers, haunts and restaurants that make up a life. And for Sontag, one of the most regular of these habits was pizza-eating. In her notebooks, pizza becomes a familiar rhythm, a culinary mantra. “A + David and I go to Frank’s Pizza,” she writes in 1960. One week later: “Dinner at Frank’s (Pizza).” Every so often, she misses a beat: In Cambridge, Sontag notes: “Walked to Central Sq. and gorged myself on passable pizza at Simeone’s ($1.58).” Before long, she’s back to Frank’s.

For Sontag, who rarely cooked (her guests recall meals of canned mushroom soup, slightly warmed), going out for pizza was a preferred form of procrastination, a break from the list-making and essay-writing. Sigrid Nunez, who shared an apartment with Sontag for a year, recalls the writer emerging from her study with a fatigued air: “I can’t do this today. I’m just not in the mood. Why don’t we go out for pizza?” For me, food-as-distraction takes the form of “procrasti-baking.” Case in point: the brownies I made while writing this post.

But, just as often, food serves as the antidote to our idleness, providing the inspiration that impels us to act. It took a slice of pizza for Sontag to realize that her yearlong relationship (with playwright Maria Irene Fornes) was at an end. “It came to me last night (dinner, pizza, Frank’s) that I have lost her. Like a bulletin coming into view in Times Square.” A good meal has a funny way of making even those most difficult decisions a little clearer—and breaking up over pizza has an added benefit: When you’re mourning your loss the next morning, you can console yourself with glorious leftovers, straight from the fridge.

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Pizza Margherita recipePizza Margherita recipe

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D.H. Lawrence: Polenta with Sausage Ragù

D.H. Lawrence - Polenta with Sausage Ragu

One hundred years ago, D.H. Lawrence was awaiting the publication of what would become his most famous (and most controversial) novel. Sons and Lovers celebrates its centennial this May—but in the weeks leading up to its release, Lawrence’s thoughts were elsewhere, in a little house across the Alps: “I want to go back to Italy,” he wrote.

Lawrence made his first trip to Italy while working on Sons and Lovers, and he felt an immediate connection. “I think I shall be happy there, and do some good work,” he said in 1912, just before settling near Lago di Garda, a few miles from Verona. Several months later, his writing was already moving along. “I do my novel well, I’m sure. It’s half done.”

But when taking a break from his desk, Lawrence was at work in the kitchen, which he praised in letters home. “There’s a great open fireplace, then two little things called fornelli – charcoal braziers – and we’ve got lots of lovely copper pans, so bright. Then I light the fornello and we cook. It’s an unending joy.” He found beauty in the smallest act of cooking—he loved his pots so much, he made sketches of them. Everything is just red earthenware, roughly glazed, and one can cook in them beautifully.”

For Lawrence, Italian cuisine meant a chance to experiment with ingredients of all kinds, from the quotidian to the obscure. “We eat spaghetti and risotto and so on all of our own making,” he wrote. “We eat quantities of soup … midday polenta made of maize flour boiled to a stiff porridge that one cuts in slices with a string … queer vegetables – cardi – like thistle stalks, very good – and heaps of fresh sardines.” He frowned upon the tendency of the locals to use too much oil, but had certain indulgences of his own: “Maggi and I grate pounds of cheese,” he admitted. 

If we’re lucky, we discover for ourselves what Lawrence found in Italy: that place that inspires all our creative pursuits, whether it’s at the desk or at the stove. The freedom and adventure he felt there, through, dissipated when he left Italy to go north. “I have suffered from the tightness, the domesticity of Germany. It is our domesticity which leads to our conformity, which chokes us.” Little did he know how non-conformist his new novel would be seen—a little reminder of Italy that lingered there. 

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Polenta with sausage and mushroom ragu recipe

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Raymond Chandler: Swordfish Siciliana

What to cook for Raymond Chandler on his birthday? If he’s known for anything vaguely digestible today, it’s Terry Lennox’s gin gimlet recipe from The Big Sleep: “half gin and half Rose’s lime juice and nothing else.” Sometimes that can be the basis of a whole birthday dinner menu, but it’s usually unintentional (and ill-advised, if my “popcorn and whiskey” birthday was any indication).

But it turns out Chandler had more than a few recipes up his sleeve – maybe even a cookbook’s worth. While working on The Long Goodbye in La Jolla, California, he wrote to editor Dale Warren with another surprising proposal. “Somebody really ought to write a cookbook and put in all the things that the regular cookbooks leave out, the things which, if you’re a beginner, the cookbooks don’t tell you,” he said. “Also, any decent cookbook should have a few special recipes, a touch of the unique. And this I could easily supply.”

Seen through his letters, Chandler becomes the Mark Bittman of La Jolla. He’s minimalist in his approach to food (his recipe for pork chops: “Cook them in their own fat, they bring everything with them that is necessary except salt and pepper.”). But he’s also deeply critical of Americans’ slide into non-cooking, 50 years ahead of the curve. He scorns his neighbor’s dependence on “a deep freeze unit in his garage where he keeps enough food for six months … Most of the other food he eats comes ready-prepared and half-chewed.” If you think that’s harsh, Chandler goes on: “I sometimes wonder what we are here for. Certainly not to use our minds.” It’s a relief he wasn’t around to see the rise of the Hot Pocket.

Chandler would have turned 124 today; I’ll celebrate my own birthday later this week. No popcorn and whiskey for me this time around. We’re older now, and wiser. We use our minds. We plan our menus. And there won’t be anything frozen or ready-made, although there may well be a gimlet or two.

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Gabriel García Márquez: Lobster Tail with Spaghetti and Bread Crumbs

In the pantheon of great literary friendships – Kerouac and Ginsberg, Emerson and Thoreau – Gabriel García Márquez and Fidel Castro isn’t a wildly popular pair. What does the master of magical realism have to chat about with the Cuban president? And who said Castro is literary, anyway?

Well … Márquez did. “It may not be widely known that Fidel is a very cultured man,” he told Playboy. “When we’re together, we talk a great deal about literature.” And when they met for the first time in 1977, Castro and Márquez discovered another shared bond: They were both seafood fiends. What began as a diplomatic exchange about Angola turned into a lengthy conversation about lobster recipes. The same thing happens when my family starts talking politics at the table; we end up retreating to a common ground and asking what’s for dessert.

It was the beginning of a culinary kinship. Over the next few years, they rhapsodized over shrimp. Their dinner menus were odes to the sea. When a Cuban chef who frequently cooked for the high-powered pair published a book, he included the recipes he associated with them: turtle soup for Castro, and lobster for Gabo.

Although Castro’s fondness for spaghetti threatened to eclipse his shellfish infatuation (“Fidel is still doing spaghetti,” Márquez sighed in an article in 1985), he knew what he wanted where seafood was concerned. “It’s best not to boil shrimp and lobsters, because the boiling water weakens the substance and flavor and makes the meat a little bit tough. I like to broil them in the oven or grill them. … For condiments, just butter garlic and lemon. Good food is simple food.”

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